Concert with the Thessaloniki State Symphony Orchestra
Thessaloniki Concert Hall
Thessaloniki, Greece
Gala Concert
Croatian National Theater of Zagreb
Zagreb, Croatia
Concert with ORF Radio-Symphonieorchester Wien
Wiener Konzerthaus
Vienna, Austria
Aida
VerdiGran Teatre del Liceu
Barcelona, Spain
Un Ballo in Maschera
VerdiBayerische Staatsoper
Munich, Germany
Un Ballo in Maschera
VerdiBayerische Staatsoper
Munich, Germany
Luisa Miller
VerdiTeatro di San Carlo
Napoli, Italy
Christmas in Vienna Gala
Wiener Konzerthaus
Vienna, Austria
Tosca
PucciniMetropolitan Opera
New York City, United States
Werther
MassenetTeatro Pérez Galdós
Las Palmas, Spain
Recital with Luca Salsi
Wiener Staatsoper
Vienna, Austria
Parsifal
WagnerWiener Staatsoper
Vienna, Austria
“Beczała’s voice, resonant and full, produced naturally and without apparent strain, moved through the role as if it had been written for him.”
Platea Magazine · Il trovatore, 2026 (opens in a new tab)
“This voice doesn’t simply appear on stage — it manifests. […] For Beczała’s Lohengrin rests on something that has become rare in Wagner singing: complete mastery of vocal line.”
Wochenblatt-Reporter · Lohengrin, 2026 (opens in a new tab)
“Time, however, seems to pass Piotr Beczala by – because this clever tenor has always lived off the interest of his voice, never touching the capital.”
Die Presse · Rusalka (opens in a new tab)
“Beczała doesn’t just sing beautifully — he shapes every single note: every phrase has a clear direction, every arc an inner goal.”
Wochenblatt-Reporter · Rusalka (opens in a new tab)
“Beczała is perhaps the most versatile of the leading tenors of this generation; he has great vocal stamina, sounds Italianate, heroic, loud […] ardent, capable of elegant refinement and has impeccably clear diction.”
Seen and Heard International · Andrea Chénier, 2025 (opens in a new tab)
“Above all, Piotr Beczala shines, filling the vast Festspielhaus effortlessly in his exposed arias with breathtaking virility.”
BR-Klassik · Andrea Chénier, 2025 (opens in a new tab)
“The way he sings the quiet passages, without sacrificing an ounce of color, tension or suppleness, can only be called sensational.”
Abendzeitung München · Lohengrin (opens in a new tab)
“Piotr Beczala once again showed why he probably remains the finest tenor in opera today.”
La Vanguardia · Rusalka, 2025 (opens in a new tab)
“Piotr Beczała is more than an excellent Prince. It’s a genuine pleasure to hear the tenor at the peak of his form in this repertoire. This role […] seems to have been written for him.”
Opera Magazine · Rusalka, 2025 (opens in a new tab)
“No one lets the dove float through the Grail narration as tenderly and elegantly as he does, and no one draws more out of the closing ‘splendour and delight’ than this artist…”
Abendzeitung München · Concert with Aigul Akhmetshina (opens in a new tab)
“The tenor reaches the highest notes of his register effortlessly, and his performance stands out for its elegant phrasing and sense of style.”
e-teatr.pl · Faust (opens in a new tab)
“The effortlessly elegant Polish tenor Piotr Beczala is an outstanding, thoroughly convincing Don José combining clarion high notes with some breathtakingly hushed singing.”
The Guardian · Carmen, 2024 (opens in a new tab)
“Particularly committed throughout the performance was the great lyric tenor of our time, Piotr Beczala, cheered by the audience at every one of his entrances, as tends to happen only with the greatest idols of the lyric stage.”
El Debate · Halka, 2023 (opens in a new tab)
“Piotr Beczała is an exceptional phenomenon: already in the first aria, ‘Recondita armonia’, he sent radiant top notes into the hall and reaped enthusiastic applause.”
Krone.at · Tosca (opens in a new tab)
“Beczala performs the Wagner role – pure, precise and often treacherously exposed – with total security and elegance. The soft passages have fairy-tale delicacy; his outpourings, a robust plangency…”
The New York Times · Lohengrin, 2023 (opens in a new tab)
“With Piotr Beczała, every note is fortunate perfection.”
Der Standard · Lohengrin, Bayreuth (opens in a new tab)
“The tonal beauty and vocal splendor of Polish tenor Piotr Beczala — currently the world’s finest lyric tenor — swept all before him in his latest new role…”
La Vanguardia · Aida
“Beczala was just fine in the opera’s ‘hit arias,’ but his music at the beginning of Act II showed what a great singer he has become, with every beautifully vocalized phrase conveying its own distinctive shade of emotion.”
Classical Voice America · Rigoletto (opens in a new tab)
“Who is the finest tenor of our time? Piotr Beczala’s triumphant Spanish tour puts the Polish singer on the podium.”
El Confidencial · Spanish tour, 2021 (opens in a new tab)
“Piotr Beczała: the ‘King’ of Teatro Real”
Opera World · Teatro Real (opens in a new tab)
“Piotr Beczala as Rodolfo becomes better with each appearance in the role…”
Opera Explorer · Luisa Miller, 2019 (opens in a new tab)
Manrico in Munich: Piotr Beczała electrifies the Bayerische Staatsoper
April and May 2026 saw Piotr Beczała take on one of Verdi's most unforgiving tenor roles — Manrico in Il Trovatore — on the stage of the Bayerische Staatsoper in Munich.